I was a massive Rugrats kid growing up (massive in terms of intensity, I was pretty small), as well as being a PlayStation fiend, so some of my fondest early gaming memories come from playing the various Rugrats licensed titles
Two Point Museum is without a doubt the strongest entry in Two Point Studios’ run of delightfully-silly management sims so far, and it’s one that I’ve been yearning to revisit ever since seeing out everything it had to offer at
Summerhouse is one of those rare little gems that I’ll always return to on PC, content to while away a bit of time and unwind between the stresses of real life, building tiny buildings in this tiny game. Sometimes, though,
PowerWash Simulator constitutes a fairly big chunk of my video game playtime in recent years. Not because there’s a huge amount of replay value in it – though there’s nothing wrong with jumping back in for a bit of zen
There are few times where I’d find myself encouraging of a game developer, especially one that’s built a reputation on delivering creative, unique experiences with each subsequent game, to go straight into a sequel off the back of a hit.
AI is bad. Humans are an expandable impedance to progress. You are the last guy, tasked with exposing and eliminating whatever rogue system has kicked off the end of life as we know it. This is charted territory in fiction,
Super Mario Bros. Wonder is a delight of a game – possibly the best 2D platformer in the series since the SNES era brought us Super Mario World and Super Mario World 2: Yoshi’s Island – so any excuse to
When we talk about musical video games there are a few possible things that can be in discussion. There are games driven purely by music, Guitar Hero and Beat Saber are good examples, or there are games with a strong
